Interview Marilyn Levinson

by

Jayme Evans

 

1) Tell me about your new book, A MURDERER AMONG US.

 

My sleuth, Lydia Krause, has no sooner moved to an upscale retirement community, when she exposes a fellow resident as a convicted embezzler. The man’s wife is found dead the following morning, mowed down by Lydia’s Lexus. Aside from murder and mayhem, the book deals with mother-daughter issues, coping with grief and new beginnings.

 

2) Give us a little bit about you and why you started writing.

 

As a child I was determined to be a ballerina or a writer. I wrote stories in elementary school, was discouraged by a high school English teacher, and became a Spanish teacher. When my two sons were small, I started writing books for children. One novel, NO BOYS ALLOWED!, has been in print since 1993. I began writing mysteries a few years ago.         

 

3) Do you write what you read and why?

 

Oh, yes! I read mysteries because I love mysteries, though I read mainstream novels too.

 

4) Are you a follow-the-plan author or by-the-seat-of-your-pantser?

 

I think we’re all a bit of both. I know who the murderer is at the start of the book, but my characters are constantly surprising me and taking me in new directions.

 

5) What part of the story writing do you like? The first outline, filling in the blanks or fine-tuning?

 

I love fine-tuning--finding a more expressive expression, punching up dialogue, delving deeper into my characters’ psyches. I’m very much interested in unveiling what drive my characters to behave as they do.

 

6) Do you have a writing schedule or do you write when the mood hits?

 

I write five days a week. I find the words flow fastest in late afternoon, just about the time I should be starting dinner.

 

7) What's next?

 

I’m finishing up a mystery right now. After that, I’ll start another.

 

8) What would you tell an aspiring author?

 

Writing is a process. A way of life. Write, read, join critique groups, go to conferences, and send your stories out. Try not to let rejections get you down. As you develop as a writer, you’ll find your own voice.