Interview Jan Netolicky
by
Kev Richardson
1) What are your writing goals? Your plan for meeting them?
I am currently working on an adult novel, Three Crosses for Jonny, which I hope
to finish and market this year. I’ll
always write, whether for publication or self-fulfillment.
2) What do you want readers to take away
from your book?
I don’t really think I have any control over that.
Writers and readers have intimate, unique relationships as intricate and
complex as those shared by characters in a novel.
What matters to one reader may be inconsequential to another.
I wouldn’t want to limit the possible reactions to a work by setting
parameters.
3) Do you write only when the mood strikes
or are you disciplined to a schedule?
I write daily, but the time frame is never absolute.
Often, I have to walk away just to refresh my perspective.
4) How much do real life experiences
influence your tales?
Great question. When I was in
college, I thought good writing meant writing to impress.
Now I know that it means writing to express.
My best expression comes when I capitalize on events or people with
significance in my own life.
5) When self-editing your work, are you
writer or reader?
Both. I taught AP Language and
Composition and I am ruthless at dissecting a piece of writing (ask any of my
former students!). I bring that same
attention to my own manuscripts.
Even so, I can be too close to the subject.
That’s when I rely on a trusted group of people to help me refine or
refocus.
6) How methodically do you plot your tale structure?
For me, the characters drive the plot.
I may have a preconceived notion about what I think should happen, but
once I’ve drawn a character, that person seems to have more to say about the
outcome than I do.
7) Do you pluck some characters from real
life? How much of you is in those created?
I am an avid people-watcher.
Someone’s appearance or actions may ignite my curiosity and then I start
providing back-story. The Skipworth
Summer is a bit unique, however, because it is inspired by the life of a real
person, Luther Skipworth. I had
mementos and personal memories of his life on which to draw.
The fifteen year-old narrator in the story is entirely fictional.
It was fun trying to meld the two.
8) When writing, do you listen to music or prefer silence?
Either.
My surroundings don’t seem to matter much.
When I’m writing, I’m just listening to what’s inside my head.
9) How do you resolve plot problems that
arise?
As I mentioned before, the characters I create have a lot to say about plot
resolution. If I’m trying to fit a
character into a neat plot line and it doesn’t seem to be working, I trust the
character to let me know.
10) Do you find a character can start
pointing your way to what should follow?
I think my previous answer covers this question.